Sonnet CCCLV

What strange machines! I stand in dumbstruck awe.
They dig so monstrously, with scrawny claws;
petite – but mighty, steely, debonair.
Grey, prickly feathers splice the pungent air
and scores of them bob stably in the sea,
a half-assembled army, oddly free.


In syncopated rhythms, side by side,
now trading spots for newer soil to try,
then scurrying, returning now, for more –
acknowledging a neighbour’s small domain
then stealing it – and there erupts a war!


Unmoved, the others plod along their way,
but hesitant, I stay awhile myself,
escaping my routine for theirs, for them.

Sonnet CCCL

I stand, exhilarated, on the hills –
I burn with new and sprightly inner fire!
The winds of autumn cannot bind my will:
my yearning glance ignites with strange desire!
With fierce furore, these eyes will never tire –
I search the turbid skies for signs of warmth.
Beloved summer! Ever-tuneful lyre!
To leap into those warm and loving arms!


I’ll wait, unloved, forlorn, as lovers are,
but only when your promise sings again
will you return, melodious and warm –
and only then will carefree folly reign,
my foolish heart revived once more to mirth.
And only then will blossoms fill the earth!

Sonnet CCCXXXIX

A thousand voices carolling,

Each shaded by the canopies of spring:

So often have I heard their charming song,

Not knowing where their tiny hearts belong!

I’ve sought the secret of the stony skies,

But never have I found that hidden prize.

Though dare I say they blush a brighter blue

Whenever their beloved trills a tune!

The grass has glowed with jealous emerald;

The sun has shone with gentler, warmer gold.

As if the world would bend toward their whims

At just one ringing note of songbird hymns!

There’s magic pouring from these feathered throats –

Have brighter seraphs ever sung such notes?

Sonnet CCCXXXV

Though dead for centuries and centuries,

you never cease to fascinate and please.

Collective grievances and heartfelt joy

of choirs in their polyphonic play;

Cantatas, mystic in their piousness,

yet human in their rich emotiveness;

Concerti, full of outward brilliance,

and meditative pensiveness within;

The worldliest of dances, slow and fast,

hypnotic rhythms merged with style and class;

A contrapuntal grace and mastery

in heavenly and haunting fugal themes.

Why does your music captivate me so?

I love it all, the little that I know.

Sonnet CCCXXIX

I cachinnate at all our three-chord songs,

at all attempts to fit in and belong.

Derision greets the slogans that I loathe,

the mindless humming of our T.V. shows.

But I discover what we all have known;

I dig, display emotions all have known;

subscribed to trends, like all have done before;

subjected life to patterns used before.

For we are humans, similar and all;

restrictions bind us to a common thread.

We tread for freedom, hear its blatant call,

but realize there’s only us ahead.

And we’re so all alike, recycling,

as if there is no news but our dis-ease.

Sonnet CCCXXV

we long to drink we long for drugs and sex
were wicked teens strung high by natures hex
adrenaline and folly are our chant
our words are slurred our movements are a dance
were on computers every waking hour
ignoring chores and acting simply sour
were rude
               were boorish
                                    always such a mess
at every moment mad or quite depressed

and Yet –
               We still take buses to our school;
               Our mothers still remind us of the cold;
               We’re still subject to all our father’s rules;
               And frankly, we’re still kids – we’re not that old.

But rebels we shall stay, extreme or mild,
each one of us an adult-werewolf-child.

Sonnet CCCIX

The hand that lives upon my left is virtuously good,
an advocate of chastity and humble purity.
My right hand dwells in boastful hubris – symbol of his greed!
My left hand sheds humility, of which my right hand should.

A pearl’s obtuse ambition stems from beauty in his plum.
Imaginings of greatness cloud his sphere – and like the sea,
ambition turns to laziness, and then to servantry –
accentuating other beauties, complimenting them.

The right hand wishes excellence; his talents justify.
In awe, we read his sentences, all crafted by his pen;
we hear his soaring melodies, and wear the clothes he mends –
And yet, his over-zealous flair is nothing but a joke.
In truth the virtue of the left is heightened by his friend –
the right’s distraught flamboyance causes need for humbleness.

Sonnet CCCIII

Two singers – sisters maybe – frozen on a tapestry –
gaze back at me, emotions still unchanged, though years have flown.
Who knows how long ago their faces first were stitched and sewn –
my guess the Renaissance – their clothes exude its majesty.

One gown is crimson-red; her sister’s, blue-green like the sea.
Who knows who was the prettier – they looks as twins – or foes.
Or maybe neither lived – they’re dreams that no one living knows -
but either way, they’re shrouded in their girlish mystery.

Eternalized forever, in this lovely piece of art,
they set us pondering, with wooden instruments in hand;
their mouths sing unheard notes, which twist their graceful dance.

Dismembering from their tongues, complex harmonies depart,
unravelling in our minds, and waking creativity.
Their voices die, yet live again with grand imagining.

Sonnet CLXXXIV

His fingers clammy, wet with fearful nervousness;
his crime, his art; his weapon, digits of his hand;
a criminal of highest calibre and brand,
successful more than always – powerful – no less.

His method, less than clear; his target, everyone.
His mind, complex and dark; his pleas, his twisted fun.

He meets the floor, still greeted by the silent night.
The keys are his; the audience applauds and waits.
His humble bow is perfect, elegance his bait.
And then, in shock, we see his violent, bloody fight,
his sheer expressive force invading sound and sight.
Now no one sees his coldness, hidden from his face,
which lets whatever ambience he wants to make
exist and dazzle, seizing victims by the mind.

Sonnet CCLXXVIII

Polyphony, as sumptuous as a rich brocade,
shines vivid crimson with its careful mastery.
A layer through a layer in a tapestry,
inverted motives in the fabric interplay.
One sees the colours, recognising themes like days,
arranged in curlicues of phoenixes and seas
of countersubjects, slit like ruby string,
between the lines of subjects, woven in a braid.
The balanced harmonies, which satisfy each voice
cohere so gingerly, a stitch by stitch with poise,
familiar majesty, a souvenir of old,
a tad bit tarnished from disuse, still grandly frail,
courageous in its use, a kingly conquest sailed –
surmised as luxury, subdued as precious gold.

Sonnet CCLXII

How green-eyed is the painter of the sunset’s hues!
He cannot capture them and put them in his pot
nor even copy them with dowdy paints he’s bought.
And yet, he loves the sunset, marvels in its blues!

How covetous the dancer is of sunset’s moves!
She cannot be as subtle by the way she’s taught
nor just as strong, capricious, eloquently raw.
And yet, she loves the sunset, worshipping its shoes!

How wishful is the singer of the sunset’s tones!
She cannot radiate the warmth beyond the West
nor speak her beauty only with a moment’s rest.
And yet, she loves the sunset, stores it in her bones!

How jealous are the arts against the sunset’s grace –
and yet, look how they love its flaxen face!

Sonnet CCXLIX

I do not know what Silence is, but know its sound:
a hissing furnace, meshing cars at falling dusk.
At least, when coming close, the closing silence trusts
I know its call. Descending, almost mutely loud -

I do not know how Silence feels, but know its touch:
sensation dawning on my scalp, a tactile musk,
an odour visible as darkness, vast and brusque.
I know the call. But Silence flees my waiting brow –

It angers me: and even now, my silent words
are setting minds about, as noisy, crowing birds.

Perhaps in Death I’ll see my Silence, though it keeps
no bulky form, and cruel sensation’s gift shall die.
Or maybe Death has other feelings for our eyes:
why Sleepers never wake from blissful, silent Sleep.

Sonnet CCXLIII

No matter how I hate the music of today,
the granny living in my mind dies suddenly
come Christmas time, perhaps from carolling.
For Christmas carols don’t arouse my nagging ways
(although the electronic, tinny versions may).
The happiness within my soul at last is freed,
a chicken frightened usually to stay with me –
she cannot fly, so trapped with me, she must obey.

To what is viewed as crude commercialism’s bliss
I find myself succumbing – toxic happiness.

Its toys might be, but Christmas isn’t poisonous.
It’s not the presents (I don’t want one anyhow)
or even Santa (though he’s real). It’s that an ounce
of hope my heart must buy, as frugal as it is.

Sonnet CCXXXIV

I love the end of lessons during Christmas time.
I feel like Santa, giving lovely things away:
the strips of stickers, shiny, glittery, like day,
as bright as all the happy grins I see each time.

The flakes of snow and snowmen turn the day from grey
to cheerful shimmer. Best of all, the lessons s play
instead of drag. Each student can’t resist my tray
of stickers, so enticing, pretty, and sublime.

(Of course, I take a few. Who dares resist their fun?
They cheer me up when all my day of teaching’s done.)

Surround yourself with happy things and joyous thoughts,
for life is only bearable in happiness.
Ignore the rapping at your door by sombreness,
Or else our sadness gropes for life and plots its plots.

Sonnet CCXXIII

I have a lot of friends who love the opera too.
They come from France, Great Britain, Spain, and Germany.
A few are from the States and one’s from Italy.
I’ve others too, but I digress. Away we move.
Kind Beth of Texas is a mother and a muse,
and Phoenix is a nearby piano friend like me,
but she’s thirteen, won Nationals, and loves to teach.
I could go on: musicians, writers, artists too…

The world’s afloat with wondrous people, smart and kind.
The ones I’ve met so far are just like that, I find.

And yet, there are so many stalkers on the Net;
they terrorize and bully, like a bunch of fools.
However, all these contacts, friends, and such I’ve met
I found through websites, blogs, and other cyber-tools.

Sonnet CCXX

Before my presentation on Madame Dessay,
I went inside the French room, testing out my show
of slides. I ate my lunch and quickly had to go.
The other ones were quite well done, I have to say.

Approaching me, I started fervently to pray,
for it was near my very lucky turn to go.
And then, so randomly, my teacher went to crow,
“Oh Mike, your «jaune banane» is here for you to take!”

The class looked back at me, expecting my account.
Embarrassed, thus I told the class to turn around.

Retrieving it from up in front, I ate the fruit.
And then, short after that, my eyes were very round.
Presenting very fast (for class was ending now),
the bell then rang so loud. Cut off, I yelled, «Oh, zut!»

Sonnet CCXVIII

Agility and fabulous technique astound:
magnificent bravura, massive jumps and leaps,
cadenzas, runs (impossible, but there), and heaps
of gorgeous tones, sustained with quivering of sound.
Such awesome feats of voices everyday abound,
incredible, instilling awe, with cries and weeps.
Infused with raw emotion, like a blood that seeps
on tissue, marked with everlasting hues of sound.

None other than magnificent and magic ways
of operatic lyricism, lacking praise.
How easy opera singers make their craft to seem,
when notes are high and runs are difficult and fraught
with peril. Though they sing with all they’ve rightly got,
alas – some think that opera’s just a bunch of screams.

Sonnet CCX

The hats I wear are many, varied, large, and small:
my music hat is vast and eats away my time,
but brings me endless joy, residing in its prime;
my academic hat encompasses my all;
my thinking cap is great, but can’t but help but rhyme
in iambs, forming sonnets; last, my hat of dimes
is small, though teaching kids for pay’s a joyous brawl.

But like an average Joe, my hats of family
remain supreme, as brother, son, and happy teen.

Though being part of such an awesome bunch of folks
is daunting, frightening, and strange at times, though fun.
I love the hugs, the bliss, the kisses, endless pokes,
but more than that, the love we share’s a glowing sun!

Sonnet CCIX

I used to listen to a station on the dial.
It plays my favourite music of the old Baroque
and other “ancient” times – the waltzes slowly poke,
the overtures are bristling with a youthful guile –
but now the station has become so cruelly vile.

Of late, the station seems a bit less old Baroque,
and more commercial. Stupid ads appear and poke,
those bristling words I hate, as foul as my bile.

But no, the station hasn’t changed a lot these years.
Alas, perchance I was mistaken in my fears?

And yes, it’s stayed the same this while, although I’ve grown.
It’s me that’s changed, grown up, matured, and turned more wise.
I see that blinding innocence of youth has flown,
and in its place I see manipulation’s vice.

Sonnet CLXX

Alone at home, when silence plays its game,
I rest in peace. The only sounds that mar
are humming tunes of fridges, passing cars,
the naughty winds against the house’s frame,
the nightly taps on panes by insect dames,
and restless barks of canine pets afar.
These sounds are barely audible, like stars
above my gentle window, light and tame,
perceptible, but almost hidden by
the mane of night, a lofty little cloak;
its other trade the noiseless, quiet Mute,
which dims the squalor all around and sighs;
its silent breath that shakes the sleeping oaks
and strums them mutely, branches like a lute.